with text by Patricia Tudor Sandahl
QUARANTINE
The project with Nina B Johanson's daily drawings started when the Corona pandemic reached Sweden in March 2020. Nina belonged to a risk group. She chose to move away from her family, home to her parents and share quarantine with them. In order to create meaning in her isolation and focus on what she herself could influence, Nina decided to make a drawing a day. The book contains the first 68 drawings from the over a thousand daily drawings that Nina has made since then. Afterword by Patricia Tudor-Sandahl.
"I'm not looking just for the surface, there must be a soul and a feeling of that someone is at home"
148 pages
68 b/w drawings
threadbound with hard cover
110x175
swedish
200 SEK excl shipping
432 out of Richard Vogel’s 480 cameras were in working condition. Each camera in the collection has photographed another,
in order of serial number. The ones with either an absent or indiscernible serial number were placed at the end of the list.
David and John primarily used film and batteries from Richard’s possessions,
but at times additions were necessary.
After photographing and being photographed, the cameras were sold to finance the printing of Two Rooms.
880 pages
432 b/w illustrations
threadbound with hard cover
280x210
english
400 SEK excl shipping
It all begins in 2002 with Richard Johansson succeeding buying a chassis for a carriage. Since then, he has worked with his FOLKKONSTMUSEM, with everything from the construction of the carriage itself to the work of collecting objects. Everything is based on Richard's strong interest in folk art.
“The whole work is done with love. From the aesthetics of the carriage to every object in the museum. The love of folk art has followed me throughout my art. In this way, the FOLKKONSTMUSEM is a natural consequence of my work as an artist. ”
160 pages
152 colour illustrations
threadbound with hard cover
135x187
swedish
200 SEK excl shipping
This is a selection of Astrids polaroids that she keep in two well thumbed cardboard boxes in her studio. Most of the images were taken on busy streets or fields filled with people, then there are a few that were shot at home, in the studio – to be able to see or remember what something looked like. Astrid found the camera in 1988 and used it until the film was discontinued in 2008.
Under tjugo års tid fotograferade Astrid Göranson porträtt, på marknader, festivaler och i storstäder, med sin polaroidkamera. Hon använde den också flitigt i ateljén som hjälp i sitt arbete och för att minnas. Nu är några av de tusentals bilderna samlade i bokform.
288 pages
256 colour illustrations
threadbound with soft cover
140x180
english and swedish
200 SEK excl shipping
© dagerförlag 2022